The Highlight of ‘Unbreakable’ Franchise Can’t Save It from Mediocrity
By Michael Omoruan
Host Yvette Nicole-Brown leading a Comic-Con panel with the cast and crew of Glass: Writer/director M. Night Shyamalan and stars Samuel L. Jackson, Bruce Willis, Sarah Paulson, and Anya Taylor-Joy. Photo courtesy of Wikimedia Commons.
Audiences who fell in love with the stars of the first two “Unbreakable” films will likely be nonplussed at how their talents are wasted in “Glass,” the third movie of the trilogy. An example is the role of Kevin Wendell Crumb, played by James McAvoy, who is far and away the best part of M. Night Shyamalan’s “Unbreakable” franchise.
While “Unbreakable” tells the story of how David Dunn (Bruce Willis), the sole survivor of a train crash, comes to terms with gaining superpowers after meeting Elijah Price (Samuel L. Jackson). “Split” focuses on the character Crumb, another disturbed individual, who suffers from Dissociative Identity Disorder. Crumb has over 20 programs living in his head that are referred to as “the Horde.” He also happens to be a serial killer.
The intricate ways that McAvoy contorts his body and performs as each of Crumb’s individual personalities is mesmerizing. He was criminally underrated in “Split” and overlooked during awards season as well. “Glass,” sets 19 years after “Unbreakable.” Only weeks after the events of “Split” in 2016, his roles as Patricia, the motherly personality, and Hedwig, the infantile personality are true crowd pleasers. However, the film overall is still underwhelming.
Released on Jan. 18, it opens with Crumb still at large abducting and murdering teenage girls. David Dunn is now the owner of a home security store he runs with his son. A chance encounter between the principle characters leads to a brief confrontation until Dr. Ellie Staple (Sarah Paulson) places them in the same mental health facility. When the two arrive, they meet Elijah Price whose alter ego is the eponymous Mr. Glass.
The film starts off well enough with Dunn returning to his security store after vindicating a pedestrian on the sidewalk, a move reminiscent of the character’s vigilantism in “Unbreakable.” But it begins to go downhill shortly after. In the first half, Jackson is devoid of any of the charisma and charm he originally had in his role as Mr. Glass. When he finally does have time to showcase his acting, the film starts to falter. Willis isn’t given much to do which results in anticlimactic scenes between him and Jackson or McAvoy. The scenes do little to advance the plot or develop the characters that many audiences love.
Offsetting these weaknesses, the score for the film by West Dylan Thordson is a highlight, drawing on the themes of “Superman,” “Avengers,” and many other superhero film scores as an inspiration. The lighting for the film was great as well. The purple, green, and yellow lights for Glass, Dunn, and Crumb, respectively are well executed.
Although the ending is bittersweet, there are fun scenes that fans will enjoy. As expected, Shyamalan has a twist in the film that will take viewers by surprise, so if you’re a fan of his previous films or love the cast, you will find some enjoyment in this.
13 Years Later, ‘Kingdom Hearts III’ Proves the Wait Worth It
By Brittany Aufiero
Kingdom Hearts’ protagonist Sora. Photo courtesy of Flickr.
Following a 13-year hiatus after the release of “Kingdom Hearts II” in 2005, “Kingdom Hearts III” finally made it into stores worldwide for PlayStation 4 and Xbox One gamers on Jan. 29.
The latest installment of the single-player RPG series follows the story of keyblade-wielder Sora, as he journeys to other Disney and Pixar worlds with his companions, Donald and Goofy. Following the loss of his magic and abilities in the spin-off game “Kingdom Hearts 3D: Dream Drop Distance,” Sora must acquire the Power of Waking in order to fully regain his strength and, along with six other guardians of light, prevent the darkness-obsessed Master Xehanort from assembling the χ-blade, a keyblade powerful enough to open the door to Kingdom Hearts.
“Kingdom Hearts III” features stunning visuals, courtesy of Square Enix’s choice to build the game using Unreal Engine 4. Originally intended for Unreal Engine 3, game development stalled in 2014, following Director Tetsuya Nomura’s choice to recreate the game for the most up-to-date technology. Unreal Engine 4 has been successfully used in games of multiple genres, including the third-person shooter “Gears of War 4” and features real-time rendering that yields seamless action sequences in-game.
Fans of the franchise wholeheartedly agree that the game was worth the wait. Recent Lehman graduate Melissa Ruiz, a 26-year-old English Honors student said, “the worlds feel a lot more lived in than in previous installments. I think you can definitely see why it took as long as it did to make and how much time and effort was put into it.”
Following tradition with previous installments, the game’s soundtrack features Japanese pop icon Utada Hikaru, who beautifully captures the sentimental importance of the long-awaited game. In particular, “Face My Fears” (made in collaboration with dubstep music artist Skrillex, a long-time fan of the series) evokes strong emotions in all of the young fans who grew up with the franchise and serves as the perfect audio track for the game’s cinematic opening.
Plot-wise, the game holds up just about as well as any other in the “Kingdom Hearts” collection- which is to say, it only makes sense if you squint. Of course, this remains a quality of infinite charm, as the characters are the true heart of this series and always have been.
Nelson Fernandez, a 29-year-old English major, has followed the games since the release of “Kingdom Hearts I” in 2002. For him, the games were a major influence on his choice to pursue English: “The convoluted storytelling actually kept me intrigued throughout the years. The lore of the series is, in fact, one of the biggest inspirations that got me into writing fiction.”
Ruiz added, “Kingdom Hearts” has a convoluted storyline but this game makes a lot of connections between all of the previous games, so it’s fun to see how everything connects.”
“Kingdom Hearts III” has sold more than 5 million copies worldwide, making it the fastest-selling installment in the franchise. It has been nominated by IGN for “Best Game of E3” 2018, “Best PlayStation 4 and Xbox One Game of E3” 2018, and “Best Action Game of E3” 2018. More nominations are sure to come in as the game continues to make waves in gaming communities everywhere.
‘DNA’ Sandwiches Same Old Sound Between Mild Update
By Allen Mena
“DNA” album cover art. Photo courtesy of Wikipedia.
The Backstreet Boys released their ninth and newest album on Jan. 25, 2019. It’s their first album since 2013. Titled “DNA,” its 13 songs include radio favorites “Don’t Go Breaking My Heart” and “OK.” The songs mainly feature melodic tunes carried out by a variety of musical instruments, such as the flute and saxophone. The tunes are reminiscent of some of the group’s classic songs like “I Want It That Way,” and are simultaneously modern enough to resonate with a younger audience.
The first and last tracks of the album are the strongest pieces because their harmonizing stays true to the band’s roots and also agrees with the fast-paced beats that are commonplace in the music industry today. The stand-out song is “Don’t Go Breaking My Heart,” because of its fast-paced, modern style. It is comparable to Maroon 5’s recent hit featuring Cardi B, “Girls Like you,” because it has similar beats at a similar pace, along with multiple singers performing at the same time during the chorus and throughout the song.
Sadly, most of the songs in the middle of “DNA” come across as fillers and generally sound the same in their delivery. The least impressive track on the album is “Breathe.” While this song might have been a smash hit in the 90s, the acapella vocals and pace of the song do not align with what is popular today.
However, this album’s initial success adds to the group’s legacy, since it landed #1 album on the Billboard 200. This still pales in comparison to the Backstreet Boys’ most successful album, “Millennium,” which made over ten million dollars in sales and included their greatest hit song, “I Want It That Way.” The Backstreet Boys have won numerous music awards, including their most prestigious, “Album of the Year” in 1999 at the Billboard Music Awards. Given the album’s considerable replay value from radio hits, it easily earns three out of five stars.
Michelle Obama’s Inspiring ‘Becoming’ Maps Her Success
By Brittany Aufiero
Obama was photographed by Miller Mobley. Photo courtesy of Wikipedia.
In her poignant, eloquently crafted autobiographical memoir “Becoming,” Michelle Obama writes about how she found her voice and learned to use it effectively to enact real change. The book has enjoyed widespread success and sold 1.4 million copies within its first week of publication on Nov. 13, 2018. According to Barnes & Noble, it is the best-selling book in the U.S. for 2018.
“Becoming” is divided into three distinct sections: “Becoming Me,” “Becoming Us,” and “Becoming More.” Each represents different stages of growth for Obama in becoming successful. All speak to the strength, grace, and intelligence of the former First Lady of the United States.
She traces the formative experiences of her life back in time. It begins with her upbringing in a working-class family on Chicago’s Southside, follows through her years at Princeton and Harvard Law School, to the day she met her husband, became a mother and began using her platform to advocate for children’s health at a national level.
Any woman who aspires to balance a successful career and personal life simultaneously will find Obama’s words here truly inspiring. For women of color especially, this book sends a powerful message of hope and perseverance in the face of adverse circumstances. At one point, she recalls a time when she was forced to attend a job interview for a managerial position at a hospital with an infant Sasha in her lap. She is candid regarding the discrimination she has experienced and the ways she has managed to use it to her advantage to further her own goals.
At its heart, “Becoming” is a reflection on the realities of what is possible with the right amount of determination. Remarkably, it manages to uplift without ever reading as condescending. Obama emphasizes how a child’s access to education and supportive adults are necessary for his or her success.
Her optimistic appeal for the future is a refreshingly cool glass of water in the scorching desert of today’s troubling political climate. The book ends on a note of hope and satisfaction, “A glimmer of the world as it could be. This was our bid for permanence: a rising generation that understood what was possible—and that even more was possible for them.”